RED Workflow on Final C...
Using RED Media with Final Cut Pro Studio 2...Types of Overall Workfl...
The following sections offer some generalizations about the most typical workflows you may find yourself pursuing. Whether you’re creating a video for the web or finishing a feature destined for theatrical exhibition, one of these workflow templates probably applies to your...Acquired via Digital Ci...
This workflow refers to programs shot with digital cinema cameras, typically at HD through 4K resolutions, and then mastered and output for theatrical exhibition via film or digital projection. Types of Programs Program types include advertising spots, shorts, and features intended for...Acquired on Film for Th...
This workflow refers to programs shot on film and then mastered and output for theatrical exhibition via film or digital projection. Color correction and film output may be accomplished either by conforming the negative and using optical printers or through a digital intermediate process...Acquired on Film for Br...
This workflow refers to programs shot on film but transferred to video with the intention of creating a video master for terrestrial, cable, or satellite broadcast. This workflow overlaps with the one specified for programs shot on film for direct-to-video release via a formal...Acquired on Video for O...
This workflow refers to programs that are acquired via any consumer or professional video format and produced for delivery via DVD or Blu-ray for consumer playback. Types of Programs Program types commonly include direct-to-video programming, shorts and features intended for film...Acquired on Video for O...
This workflow refers to programs that are acquired via a consumer or professional video format such as DV-25, HDV, AVCHD, or DVCPRO HD and produced for delivery via the web. The results are typically highly compressed and are intended to be watched on a computer, on a portable device...
